This workshop will look into the possible consequences of the inclusion of Indonesian arts and cultures into the category of Islamic art. Taking the rich collections of the National Museum of World Cultures as a starting point, the workshop explores what transgressing the borders of Islamic art into Southeast Asia will entail on the level of both disciplinary and visual parameters. Not only has Muslim Indonesia, with its leading theatre tradition, produced types of art that fall outside the traditional scope of Islamic art history, the nature of collections from Indonesia also stands out: most objects kept in museums and private collections are not older than the 18th century and they were mainly collected under the heading of ethnology. In this workshop we’ll discuss what these institutional structures imply for our current understandings of Indonesian Islamic art.
The workshop takes place in the framework of the research project ‘Framing Indonesian art: colonial discourse and the question of Islam’, which is financed by the Netherlands Organisation for Scientific Research.