The notion of ''domestication'' is something that has continued to develop throughout my work. I see it as the dominant relation between self and other (human and non-human) that defines capitalist modernity. At its core domestication is a mode of positioning otherness such as to extract value from it. From this perspective, an ethnology museum is a paradigmatic domesticated space in which otherness is positioned in ways such as the viewer can extract from it aesthetic and ethno-informational value.
In this masterclass, I will review the various dimensions of the processes of domestication that I have explored in my work and look at the possibility of an alter-domesticating logic.