
The ethnographic archive is a particular kind of historical reservoir: it is an anthropological and artistic legacy, but also a legacy of colonialism and its technologies of power, inextricably linked to systems of control. This seminar invites artists and academics to explore the relevance and potential of ethnographic archives - including objects, photographs, and sounds - for contemporary makers. What is the agency of objects in ethnographic collections, how do they bring us into action, into relations; how do they affect us? What complex histories and intentionalities do these objects embody? In our modern life it seems to be hard to experience enchantment. Thinking with Jane Bennett, who challenges this view, we question: how can objects be a source of enchantment? How can they inspire, captivate and disturb? What might be the relation between the creative imagination and the archive? And what are the ethical implications when artists activate and intervene in ethnographic archives?