
Rather than seeing dress as a neutral instrument to convey identity, this research examines its transformative quality from a phenomenological perspective and looks at how embodied sartorial practices are involved in the construction of subjectivity/identity. Central to this research is the kotomisi, a woman dressed in Afro-Surinamese costume, of which the koto (the name of the skirt as well as the entire costume) and angisa (folded headgear) are important parts. It considers, for example, the weight of an angisa folded with three cloths or the skid resistance of a starched skirt. Following the idea that the body is the primary site for experiencing and becoming to know the world, this research focuses on bodily sensations and experiences on the one hand and on how craft is used to create a certain mood for the wearer, on the other.