
The inaugural gathering, “Possible Histories and Blazing Forms” took place in 2024, and focussed on the writing of (art) histories in, of, and through Africa and the African diaspora. The term “blazing forms” comes from Margaret Danner’s poem “The Convert” (1960), which reflects upon the blazing power of art and material culture objects from Africa to prompt an understanding of the many worlds made by and inhabited by people from Africa and the diaspora over time and space. Building on this foundation, our upcoming conference, tentatively titled “De-imperial Histories and Blazing Forms,” seeks to extend Danner’s concept to rethink the writing of (art) histories in, of, and through Global Asias.