
How can we think through the idea of taking in colonial times through military collections? How do notions of victory and surrender become encoded? How does the ethic of worthy enemies get remembered? What is the particular inflection of the military on material culture that arises from colonial wars? The recent publication of Dividing the Spoils: Perspectives on Military Collections and the British Empire (2020) allows us not just to think through perspectives on the motivations and circumstances whereby collections were appropriated and acquired during colonial military service, but to consider the materiality and meaning of these objects, to challenge us to think about the legacies of empire. How do military collections ask us engage, in Kenan Malik’s words, in the “reworking of the relationship between history, historians and empire”? And what of the role of material culture as a testimony of that relationship?