Publications

• Förster, Larissa., Edenheiser, I., Fründt, S., 2018: A Conference on Postcolonial Provenance Research. English translation of the introduction to the volume „Provenienzforschung zu ethnografischen Sammlungen der Kolonialzeit. Positionen in der aktuellen Debatte“, ed. by Larissa Förster, Iris Edenheiser, Sarah Fründt and Heike Hartmann, Berlin: Humboldt-Universität. (Full text, in German)
   
• Förster, Larissa, 2018: The institutionalisation and networking of provenance research from different historical contexts. English translation of a short essay/introduction in the volume „Provenienzforschung zu ethnografischen Sammlungen der Kolonialzeit. Positionen in der aktuellen Debatte“, ed. by Larissa Förster, Iris Edenheiser, Sarah Fründt and Heike Hartmann, Berlin: Humboldt-Universität. (Full text, in German)
   
• Tina M. Campt (2017) Listening to Images. Duke University Press - Chapter 2: Striking Poses in a Tense Grammar: Stasis and the Frequency of Black Refusal.

Caribbean and South American Collections:

• Barringer, Tom & Wayne Modest (editors), 2018. Victorian Jamaica, Duke University Press. (Introduction)
   
• Duin, Renzo S., 2017. Written in Stone: Revisiting Early Studies on Timehri Petroglyphs in Suriname. In: Renzo Duin and Cheryl White (eds.). Archaeology in Suriname. Paramaribo: IMwO. pp. 57-72.
   
• Duin, Renzo S., 2014/2015. Partible Objects: a Wayana dance costume used as shaman’s device (Tropenmuseum inventory number 401-86a). Material Culture Review / Revue de la culture matérielle (80-81): 151-161.
   
• Duin, Renzo S., 2006. Maluwana, Pinnacle of Wayana Art in the Guyanas. Baessler Archiv (54): 119-144.

Indonesian Collections:

• van Hout, Itie (2017) Indonesian Textiles at the Tropenmuseum. LM Publishers. 

Middle Eastern Collections:

• Tamimi Arab, Pooyan, 2017. Devotie-afbeeldingen van de profeet Mohammed in het Nationaal Museum van Wereldculturen. ZemZem: Tijdschrift over het Midden-Oosten, Noord-Afrika en islam. 1(13): 15-26. (in Dutch).
   
• Mols, Luitgard; Vrolijk, Arnoud, 2016. Western Arabia in the Leiden Collections : traces of a colourful past. Leiden University Press.
   
• Shatanawai, Mirjam, 2014. Islam at the Tropenmuseum. LM Publishers.

Oceania Collections:

• Diettrich, Brian, 2017. Instruments in Motion: Flutes, Harmonicas and the Interplay of Sound and Silence in Colonial Micronesia. Journal of the Polynesian Society,126 (3): 283-312.

Chinese Collections:

• van Noord, W. (2020). 'De Van Gulik collectie in het Nationaal Museum van Wereldculturen: Chinese schilderkunst, kalligrafie en scholars objects' [The Van Gulik collection in the National Museum of World Cultures: Chinese painting, calligraphy and scholars objects], Aziatische Kunst 20 (2), 2020, pp. 13-21. Aziatische Kunst, 20(2), 13–21.